‘Tis the time of year to lounge on the couch and devour a tin of mince pies in front of a terrific flick, a bad movie, or one that’s awesomely awful.
As always, a selection of new Christmas films aims to become part of our festive viewing—maybe even earning a place alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Therefore, in a vital public service to distinguish the gems from the coal, and to find the festive feeling, I binged as many new holiday releases as possible in a single day.
Kicking off, optimistically, on a good foot. This film is the only 2025 title on a famous website's list of the best 100 Christmas movies of all time.
The popular band are stranded in the UK after finishing their international trek and must return for Christmas. Their attempts are hampered by an evil Santa, who breaks into song to declare they won’t get home until they “rediscover their sibling bond.”
The back-and-forth between the arguing trio is entertaining even for the casual viewer, while followers will undoubtedly catch lots of references as they attempt to get back using every mode of travel possible.
It’s a journey of epic proportions.
It’s not legendary, but is superb for fans and a solid start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.
A-list actor Kiefer Sutherland has been cast as a celebrity roped into a traditional British stage show.
“A panto-what??” asks Sutherland’s “difficult” and aging action hero Brad Mack, who has hit a rough patch and whose agent has deceived him into thinking he’s appearing in high-class London stage.
His pantomime co-stars let him know he’s playing Buttons. “No I'm not,” he protests. You can guess their retort. Unless you’re unfamiliar with traditional panto catchphrases.
There are some hilarious moments, some cockle-warming storylines, and the supporting actors is cracking, too.
It’s the type of film that would be a bit cheesy at another season, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
Danny Dyer pops up at the beginning of this film, too, delivering a signature line for the second film in a row. Is this a fresh holiday staple?
This time, he’s a singing black cab driver who encounters Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story progresses as the miserly Mr Sood is visited by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least different from all the others, but unfortunately he’s not very compelling and Nayyar’s acting is wooden—a significant issue when he’s so central to everything.
Holiday verdict: 🎄🎄
There's just enough time for a network's original festive film—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”
But after he receives an large festive windfall at work, his wife (played by Morgana Robinson) convinces him blowing the money on a holiday to Lapland.
There’s just one issue—he finds out there was an error with his bonus, which should have been £800, and he has to devise a plan for how to return the difference.
Fun while it lasts but not lasting.
Holiday verdict: 🎄🎄
This is one of those holiday movies where the festive trappings are in the setting—Christmas is the environment of the film rather than its raison d’etre—but it feels cosy and festive all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is dispatched to a country estate to secure an acquisition for a champagne business. En route, she encounters a fellow in a book store who vows to show her Christmas in Paris.
A critic recently claimed this is the finest new Christmas film of the recent era. That’s a bit of a overstatement, but it is a holiday love story with a hint of sophistication and gives the necessary warm and fuzzy feels.
The scene with a lengthy discussion about Die Hard is notable too.
Festive score: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the attempts of his dad (starring James Buckley) to tell him the reality.
The truth is out there, and Chris embarks on a quest to find it with the guidance of a group of well-known scientists and personalities.
It’s low-key but charming, and good viewing while anticipating Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the mother of a bickering American family who come back together for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s the premise, but in practice it’s really a combination of those inspirations, at least until Pfeiffer’s character eventually finds her strength.
Holiday verdict: 🎄🎄
The day’s waned in quality, but happily here’s a new entry in the packed genre of formulaic, schmaltzy, badly acted—and strangely compelling—seasonal comfort food.
It’s a narrative as well-worn: An American woman journeys to a picturesque cold country and ends up finding romance.
In this case, Caprice Bourret plays a publisher